enrico francioni

composer and double bass player

Composition

[Chamber Music]
[Orchestral Music]
[Musical Theater]
[Teaching Songs]
[Elaborations, Transcriptions and Revisions]
[Electronic Music]
[Audio/Visual Music]



CHAMBER MUSIC


Suite

for harpsichord (1980), duration 8'28"
dedicated to: Gabriella Scrocco


Flabrum

for flute (1980), duration 2'11"
first recording: February 17, 2002 – Classic Studio, Ancona (Italy) – Francesco Manna (fl)
dedicated to: Andrea Bartelucci


Impulsi

for double bass (1980), duration 5'23"
first recording: February 26, 2002 – Classic Studio, Ancona (Italy) - Enrico Francioni (db)


Record'en flans

for flute and double bass (1982), duration 6'19"
first performance: September 10, 1982 – Festival delle Nazioni, Città di Castello (Perugia-Italy) – Andrea Bartelucci (fl), Enrico Francioni (db)
first recording: September 1982 – Carpegna (Pesaro e Urbino–Italy) – Andrea Bartelucci (fl), Enrico Francioni (db)
dedicated to: Duo Sonitanis


Cinque piccoli pezzi per giovani pianisti

for piano (1982/2001), duration 4’37"
first performance: May 20, 2003 – Auditorium Istituto Musicale Statale “G.Lettimi” Rimini, RN-Italy – Eleonora Sartini (pf)
musical editions: EurArte, Varenna (Lecco-Italy) - EA P0156 (2002) dedicated to: Emanuele, Alessandro, Carmen


Contr'tast

for violin (1983), duration 12'50"
first performance: August 25, 1992 – Rassegna di Nuova Musica “Suoni per il Chiostro”, Pieve di Carpegna (Pesaro e Urbino-Italy) - Igor Buscherini (vl)
first recording: August 25, 1992 – Rassegna di Nuova Musica “Suoni per il Chiostro”, Pieve di Carpegna (Pesaro e Urbino-Italy) – Igor Buscherini (vl)


Cluster

version for double bass and flute/es (1983), duration 4'15"
first recording: April 12, 2002 – Classic Studio, Ancona (Italy) – Francesco Manna (fll), Enrico Francioni (db)


Cluster I

version for double bass and tape (1983), duration 4'15"
first performance: August 6, 1983 – Estate Musicale 1983, Chiesa di San Nicolò, Carpegna (Pesaro e Urbino-Italy) - E.Francioni (db), tape (by the author)


Ricercare

for double bass (1986), duration 3'20"
first performance: October 29, 1992 – Rassegna Nuova Musica Italiana-IX Edizione, Sala A RAI Radiotelevisione Italiana, Roma (Italy) - Fernando Grillo (db).
first recording: February 1986 – Accademia Pescarese, Sambuceto (Pescara-Italy) - Enrico Francioni (db)
musical editions: EDIPAN, Roma (Italy), (1993)
dedicated to: Fernando Grillo


Cluster II

version for double bass and piano/organ (1987), duration 4'15"
first performance: May 8, 1988 – Concerti Aperitivo, Sala Grande dell’Accademia Pescarese - Sambuceto (Pescara-Italy) - Enrico Francioni (db), Felice Iafisco (pf)


Trio

for viola, cello and double bass (1988), duration 11'06"
first recording: November 3/4, 2001 – Studio “Free Music” (Saludecio, Rimini-Italy); editing: Classic Studio (Ancona–Italy) – Aldo Zangheri (vla), Gabrile Zoffoli (vc), Enrico Francioni (db)
dedicated to: Trio Basso - Köln


I segni del tempo

for double bass and harp (1990), duration 6'42"
first performance: October 27, 1990 - "Incontri Musicali”, Sala Polivalente Comunale Palazzo Sforza, Cotignola (Ravenna-Italy) - Enrico Francioni (db), Tiziana Tornari (harp)
first recording: January 11, 2002 – Classic Studio, Ancona (Italy) – Enrico Francioni (db), Patrizia Carciani (harp)
dedicated to: Duo Francioni-Tornari


Cinque piccoli pezzi

for guitar (1991), duration 7'28"
first performance: August 26, 1992 - Rassegna di Nuova Musica “Suoni per il Chiostro”, Pieve di Carpegna (Pesaro e Urbino-Italy) – Aldo Vianello (gt)
first recording: March 27, 2003 – Classic Studio, Ancona (Italy) - Aldo Vianello (gt)
musical editions: MONDO SONORO, Cattolica (Rimini-Italy) – M 1038 S (2003)
dedicated to: Aldo Vianello


Zauberspiegel

for double bass (1992), duration 12'11"
first performance: August 30, 1992 – Rassegna di Nuova Musica “Bologna Sogna”, Bologna (Italy) – Enrico Francioni (db)
first recording: March 16, 2002 – Classic Studio, Ancona (Italy) – Enrico Francioni (db)


Cluster III

for flute, viola and guitar (2002), duration 4'15"


Tape

for viola (2002), duration 6'00”
first performance: August 9, 2003 – Terza Rassegna internazionale di composizione “A.Gigli” Villa Mazzacorati, Via Toscana, Bologna (Italy) - Valentino Corvino (vla)
first recording (live/studio): August 9/10 2003 – “Baule dei Suoni” - Villa Mazzacorati, Via Toscana, Bologna (Italy) - Valentino Corvino (vla)


L’exorde d’Adolphe

six episodes for saxophone quartet (September 2004), duration 11'18”
Work written for the competition “Franco Evangelisti” - 2004 Edition


Cluster IV

for double bass and saxophones (2007), duration 4'15" (in preparation)


The answer to Guido

five sketchs for bass-clarinet [Bb] - (July / August 2010), duration 4'45” (about)
awards:
- Special mention at the Composition Competition “A.Manoni” 2010 - Senigallia (Italy)
- Selected by the Namaste Ensemble (Musica Prospettiva) to be performed in the October 2021 online concert and added to the repertoire.
first performance: December 20, 2010 – Sala Arcobaleno Cesena (FC-Italy) – Sauro Berti (bcl)


Eppur, Cotante Escluse, Bellezza Aspiro, quasi una passacaglia su ECEBA

for flute and harpsichord (December 2010), duration 1’00”
dedicated to: Duo Novecembalo
first performance: Sunday 16 January 2011 at 17:00, Sede Associazione Clavicembalistica Bolognese via Saragozza, 86 – Bologna (BO-Italy) – Duo Novecembalo


Cinque piccoli pezzi per pianoforte, inspired by Japanese haiku

[Calma lumaca - duration 1’59”, Dopo la pioggia - duration 1’56”, Sbocci di foglie - duration 2’04”, Soffia il vento - duration 2’04”, Stagno vetusto - duration 2’04”] - January 2011, total time 9'07" (about)
Written for “Call for… Giappone” (Centro di Musica Contemporanea di Milano - Italy).


Fricò

theme and occult variations for oboe, clarinet and bassoon (June 2011) - duration 8' (about)
Work written for Terzo Concorso Internazionale di Composizione “Parco Migliarino San Rossore Massaciuccoli 2011”
material download: Open Access Publications from the University of California
UCLA Music Library


…E taci

for female reciting voice, flute, clarinet, bassoon, violin, viola, cello, double bass and percussion (2011), duration 6'13"
Work written for the CONCORSO DI COMPOSIZIONE MUSICA E ARTE Rome-Italy - VII Edizione


AG paths

for wind quintet (February 2012), duration 00'57”
Work written for 15 Minutes of fame (2012) Vox Novus - Dedicated to West Point Woodwind Quintet


For bi bi

for solo female voice (February 2013), duration 03’50” (about)
Work written for and selected at: Festival 5 Giornate 2013 - Centro Musica Contemporanea di Milano-Italy
first performance: Thursday 21 March 2013 at 20:30, Museo del Novecento Milano – Akiko Kozato (mezzosoprano)


Pater Noster

for soprano and string quintet (March 2015), duration 05’05” (about)
Work written for: the Concorso di composizione internazionale Papa Benedetto XVI - Livorno-Italy


a_nAnna

small pieces for the piano (July 2016), duration 08’20” (about)
the pieces: Caro Johannes - duration 2'12", La notte s'avvicina - duration 1'50", Intervallo magico - duration 1'05", Star dust - duration 1'21", Melodia - duration 1'52"
dedicated to: to her granddaughter Anna Francioni


Avant la renaissance

for double bass (May 15, 2020), duration 04'52"
[composition date: May 15, 2020 - A/V registration: May 19, 2020 - assembly date: 20/22 May 2020]
work composed for the Call "Scrivere per il futuro" [2020] by the Italian Society of Contemporary Music (SIMC)
recording and editing - hardware: Mac BookPro macOs 10.15 "Catalina"; iConnectAUDIO4; sE 4400a ORTF pair and Reflex sE; iPhone SE (first edition) 4K definition; software: Reason 10, Reaper64, iMovie - eStudio (Carpegna-PU, Italy)


…for GUIDO

four pieces - piano version (May/June 2020), duration 10'00" (about)
the pieces: …ecco Guido, …alla guida, Melodia su GUIDO, Anna e Guido
work dedicated to the grandson Guido Francioni
recording and editing - hardware: Mac BookPro macOs 10.15 "Catalina"; software: Reason 10 (Propellerhead), Audacity, Reaper64 - eStudio (Carpegna-PU, Italy)


Ludwig speaks

five aphorisms for soprano, violin, viola, cello and piano (July 2020), duration 5'04"
eStudio (Carpegna-PU, Italy)


Variations on Parapapà…

for flute (soprano and bass), contrabass and piano (August 2020), duration 6'17"
eStudio (Carpegna-PU, Italy)


After Mario's Nocturne

ten short episodes for Bb Clarinet, Double Bass and Piano (July 2021), duration 4'47"
Awards: the work received an Honorable Mention at the "Mario Perrucci" Composition Competition organized by the Ducal Academy of Pietragalla (Potenza, Italy) and entered the repertoire of the Accademia Ducale Ensemble.
First performance (live and streaming): Salone del Palazzo Ducale in Pietragalla (PZ, Italy) Monday 16 August 2021 - Ensemble Accademia Ducale.
eStudio (Carpegna-PU, Italy)


CLUSTER VI

for double bass sextet (July 2021), duration 7'39"
Awards: in 2021 the work was selected at the MUSHAMUKAS Calls for SCORES with the tribute to Stefano Scodanibbio.
First performance: Festival Expresiones Contemporáneas 2022 (Mexico) and will probably enter the repertoire of the MUSHAMUKAS Ensamble de Contrabajos.
First registration: MUSHAMUKAS Ensamble de Contrabajos 2021.
eStudio (Carpegna-PU, Italy)


Some minimal fantasies

for double bass and piano (November 27, 2021), duration 8'39"
eStudio (Carpegna-PU, Italy)


I would have loved to play the C4 too, but the piano key was broken...!

for Toy Piano (December 31, 2021), duration 00'55"
Selection: Fifteen Minutes of Fame [USA]
First performance: David Bohn, June 3, 2022 - Music on the Hill St. John XXIII Concert series, Wisconsin [USA] and June 4, 2022 - Virtual Concert Halls [from USA]
First registration: David Bohn, June 2022
eStudio (Carpegna-PU, Italy)


Clips

for bass flute (February 15, 2022), duration 04'00" (about)
eStudio (Carpegna-PU, Italy)


ZA MÀRIJA

dramatic monologue for mezzosoprano and piano (August/September, 2022), duration 08'26" (about)
inspired by Marij Kogoj composer
work composed for the Call for scores 2022 "Omaggio a Marij Kogoj" and selected by Italian Society of Contemporary Music (SIMC) for the performance
SIMC-Results
First performance: Maria Bruno, mezzosoprano and Petro Yančuk, piano ~ December 10, 2022 "Trieste prima" - Basilica di San Silvestro, Trieste [Italy]
eStudio (Carpegna-PU, Italy)


amplèx

for viola duo (January 16, 2023), duration 01'00"
work dedicated to Tallā Rouge (viola duo)
eStudio (Carpegna-PU, Italy)


SCRATCH

for viola (June 30, 2023), duration 04'10"
eStudio (Carpegna-PU, Italy)


Con la tazza un mezzo pazzo vuota il pozzo del palazzo

for guitar (September, 2023), duration 04'30" (about)
Work commissioned by the NED Ensemble
for the Contemporary Music Day of the Verona Conservatory, October 2023 edition and dedicated to the Centenary of the SIMC
First performance: Matteo Murari, guitar ~ October 28, 2023 "Contemporary Music Day of the Verona Conservatory" - Sala Montanari, Società Letteraria di Verona, P.tta Scalette Rubiani, 1 - Verona [Italy]
eStudio (Carpegna-PU, Italy)





ORCHESTRAL MUSIC


Introduction and dance

for orchestra (February 28, 2010), duration 1'00"
work written for 60x60 Orchestra (2010) and selected for performances at the 60x60 Orchestra 2011
material download: Open Access Publications from the University of California
UCLA Music Library


From my windows

for orchestra (June 1, 2011), duration 11'57"
work written for the 5th International Composition Week of Stresa Music Weeks (2011)


Oxùs-moros

for youth orchestra (June 30, 2011), duration 10'00"
work written for the II^ "Bruno Maderna" International Competition 2011


Cinque pezzi caotici per orchestra

(July 31, 2011), duration 10'00" ca.
work written for the Calls-for-Orchestra selection, as part of the "New Music for Orchestra" project, promoted by the Contemporary Music Center of Milan in collaboration with Sconfinarte - 2011


Line up

for orchestra (June 10, 2013), duration 1'05" ca.
for orchestra on "La donna è mobile" by G.Verdi
written for the CALL FOR SCORE "Variations for orchestra" launched by the Contemporary Music Center of Milan - 2013


A pavane for GMV

for youth orchestra (June 30, 2013), duration 9'15"
work written for the IV^ "Bruno Maderna" International Competition 2013





MUSICAL THEATER


Ce que je ne sais pas

for double bass, reciting voice and 19 and more performers (1993), duration 12'26"
first performance: September 1993 - Rassegna di Nuova Musica "Suoni per il Chiostro", Pieve di Carpegna (Pesaro and Urbino-Italy) - Enrico Francioni (db), Fabio Michelini (reciting voice), Ensemble Musica e Natura
first recording: September 1993 - Rassegna di Nuova Musica “Suoni per il Chiostro”, Pieve di Carpegna (Pesaro e Urbino-Italy) – Enrico Francioni (db), Fabio Michelini (reciting voice), Ensemble Musica e Natura


Meditazioni

for a mandolin player / actor (1994), duration 9'
first performance: 28 August 1994 - Rassegna di Nuova Musica "Suoni per il Chiostro", Pieve di Carpegna (Pesaro and Urbino-Italy) - Aldo Vianello (mand/actor)
first recording: March 16, 2002 - "Classic Studio", Ancona (Italy) - Aldo Vianello (mand)





TEACHING SONGS


I viaggi di Meneghina

theme and variations on an Italian popular melody, didactic work for 15 groups of instruments - reeds, brass, 2 pianos, strings (vl I, vl II or vla, vc), guitars, electric bass, children's choir and percussion for children's ensembles - (2003), duration 3'00"
first performance and recording: May 2004 - Padenghe sul Garda (Brescia-Italy) - Interpreters: Instrumental Group of the State School "28 May 1974" of Padenghe Sul Garda (Brescia-Italy), E.Gusperti (dir) musical editions : WICKY, Milan (Italia) – WKY0340 (2003)


Il sogno di Cenerentola

five musical moments inspired by Charles Perrault's fable, for reciting voice, flute, violin, cello, harp and piano (2003), duration 10'13"


Quelle storie venute dal… cielo

for reciting voice, flute, clarinet, four-hand piano, percussion, violin, viola, cello and double bass, on texts by Gianni Rodari (April / May 2005), duration 31'36"                     
first performance (version: acting, stage movements and digital support): June 2006 - Piandimeleto (Pesaro and Urbino-Italy) - Interpreters: Students of Class I B of the Ist Grade Secondary School. Including "E.Da Piandimeleto" of Piandimeleto (Pesaro and Urbino-Italy), E. Francioni (dir)                     
first performance (original version): 1 June 2013 - Sassocorvaro Municipal Auditorium (Pesaro and Urbino-Italy)                     
performers: Massimo Sabbatini: conductor, Noris Borgogelli: reciting voice, Luciano Giambartolomei: flute, Marco Magi: clarinet, Rosalba Rombaldoni and Leonard Martinotti: piano 4 hands, Daniele D'Ubaldo: percussion, Elia Torreggiani: violin, Michele Bartolucci: viola , Manuela Pompizii: cello, Enrico Francioni: double bass and electronics.                     

                    



ELABORATIONS, TRANSCRIPTIONS AND REVISIONS




Astor Piazzolla / Enrico Francioni

Kicho

(elaboration), for double bass and ensemble (1997/9), duration 6'50"
first performance and first recording: 1999 – Rimini (Italy) - E. Francioni (db), M.Marzi (dir), Reunion Cumbre record editions: AGORA’, Milano (Italy) – AG 219 (2000)



Astor Piazzolla / Enrico Francioni

Pedro y Pedro

(elaboration), for orchestra (1997), duration 3'
first performance: 2000 – Rimini (Italy) - E. Francioni (db), M.Marzi (dir), Reunion Cumbre



Astor Piazzolla / Enrico Francioni

Oblivion

(elaboration), for sax / bass clarinet and double bass (1998), duration 3'



Astor Piazzolla / Enrico Francioni

Contrabajeando

(elaboration), double bass and ensemble (1998), duration 6'
first performance: 2000 – Rimini (Italy) - E. Francioni (db), M.Marzi (dir), Reunion Cumbre



Astor Piazzolla / Enrico Francioni

Milonga en Re

(elaboration), for violin and ensemble (1999), duration 4'
first performance: 2000 – Rimini (Italy) - E. Francioni (db), M.Marzi (dir), Reunion Cumbre



Astor Piazzolla / Enrico Francioni

Tres piezas breves

(elaboration), for cello and ensemble (2001), duration 6' [in preparation]



Giuseppe Maria Marangoni / Enrico Francioni

Bourè

(transcription and revision), for four double basses (2002), duration 2'
first performance: 1989 - Macerata (Italy) - Lauber Quartett, Enrico Francioni, Giovanni Valgimigli, Daniele Ragnini, Luciano Mitillo (dbb) musical editions: EurArte, Varenna (Lecco-Italy) – EA P0242 (2002)



Coriolano Biacchi / Enrico Francioni

Adagio e variazione

(transcription and revision), for double bass and strings (2003), duration 5'
first performance: 1997 - Urbino (Pesaro e Urbino-Italy) - E. Francioni (db), M.Mangani (dir), Orchestra Filarmonica Urbinate first recording: 1997 - Urbino (Pesaro e Urbino-Italy) - E. Francioni (db), M.Mangani (dir), Orchestra Filarmonica Urbinate musical editions: EurArte, Varenna (Lecco-Italy) - EA P0427 (2004)



Coriolano Biacchi / Enrico Francioni

Fuga a 4

(transcription and revision), for 2 violins, viola and double bass (2003), duration 6'
musical editions: EurArte, Varenna (Lecco-Italy) - EA P0427 (2004) first performance: November 1, 2007 – Cantiano (Pesaro e Urbino-Italy) – Gruppo Musicale “Appennino Marchigiano”, M.Sabbatini (dir.)



AA.VV. / Enrico Francioni

Quartetti per contrabbassi

transcriptions of classical pieces famous for four double basses (1989)



Ludwig van Beethoven / Enrico Francioni

I love Beethoven

free transcription of the themes of the fifth symphony for four double basses (1989)



Sergej Koussevitzky / Enrico Francioni

Andante del Concerto in Fa#

for double bass and orchestra, transcription for double bass and guitar (2001)



Gioacchino Rossini / Enrico Francioni

Une larme pour basse

transcription for double bass and guitar (2001)



Giorgio Scala / Enrico Francioni

Concerto in la minore

for double bass and piano, transcription for double bass and string orchestra (2009)
[in preparation]





ELECTRONIC MUSIC


Loop-trio.wav

(2004) duration 00'58"04"'
Acousmatic work
first performance: September 2004 – Radio WBAR, New York (USA)
made with: Reason 2.1 (Propellerhead) – eStudio (Carpegna-PU, Italy)


Del piacere e delle pene

(2004) duration 01'00"
Acousmatic work
first performance: September 2004 – Radio WBAR, New York (USA)
made with: Reason 2.1 (Propellerhead) – eStudio (Carpegna-PU, Italy)


Alla fine del tempo

(2005) duration 04'33"
Acousmatic work
first performance: June 2005 – Theatre Sacre Coeur, Bourges - Francia
work composed for: OEUVRE OUVERTE 2005 AU FESTIVAL SYNTHESE 2005 - "Mondes futurs, automates et machines pour s'y projeter" – Bourges, Francia (June 2005)
made with: Reason 2.1 (Propellerhead) – eStudio (Carpegna-PU, Italy)


Waterite_02

(2006) duration 04'46"
Acousmatic work
first performance: June 2006 – Bourges - Francia
work composed for: OEUVRE OUVERTE 2006 AU FESTIVAL SYNTHESE 2006 - "L’eau (H2O)"– Bourges, Francia (giugno 2006)
made with: Density 3.1.5 GSC (by A.Petrolati) & Audition (Adobe) – eStudio (Carpegna-PU, Italy)


cl_01, cl_02, cl_03, cl_04

(2006) total duration 04’00"
four episodes of computer music
work composed for: 60x60 (2006 edition)
made with: Cecilia 2.5.8 (by J.Piché & A.Burton) & Audition (Adobe) – eStudio (Carpegna-PU, Italy)


Rhaktip

(July 2006) duration 01’40"
Acousmatic work
made with: Cecilia 2.5.8 (by J.Piché & A.Burton) & DSP-QuattroX 2.1 – eStudio (Carpegna-PU, Italy)


…Ed io sto al centro

(June/July 2007) duration 10’06"800"'
for concrete sounds and double bass, with quadraphonic spatialisation
made with: MacCsound 1.3 (Csound 5.05) by M.Ingalls, Cecilia 2.5.8 by J.Piché & A.Burton, Enrico Francioni (db) – eStudio (Carpegna-PU, Italy)


REWORDLUTIONS

(aprile 2008) duration 05’00”000"'
acousmatic work for concrete sounds
first performance: June 7, 2008 – Theatre Sacre Coeur – Bourges, Francia
work composed for: OEUVRE OUVERTE 2008 AU FESTIVAL SYNTHESE 2006 - "De revoltes aux revolutions"– Bourges, Francia (June 2008)
made with: MacCsound 1.3 (Csound 5.08) by M.Ingalls, DSP-QuattroX, Audacity 1.2.5pre1 – eStudio (Carpegna-PU, Italy)


Gestures in textures

(agosto 2008) duration 17’00”000’” (duration: 17x 00’60”)
acousmatic work - 17 pieces for Synthesizer
The piece "Mad hatter" was chosen by “FrammentAzioni” (September 2008) – T.E.M. Udine, Italy
The piece "Feedfold feedback" has been selected for the International Mix 2009/2010, VoxNovus 60x60 (USA)
first performance: October 2008 - Festival di Nuova Musica “Contemporanea” Udine, Italy
video recording: October 2008 – by the Festival di Nuova Musica “Contemporanea” Udine, Italy
broadcasting: autumn 2008 - Taukay Web Radio - (http://radio.taukay.it)
The entire work was carried out with: Synth Thore (Reason-Propellerhead), DSP-QuattroX, Audacity 1.2.5pre1 – eStudio (Carpegna-PU, Italy)


De profundis

(December 2008) duration 05’28”000’”
acousmatic work
first performance: March 20, 2009 - Studio Arts, Milano, Italy
work written for and selected at: “Festival Cinque Giornate per la nuova Musica 2009”, Milano (Italy) and at EMUfest Festival Internazionale di Musica Elettroacustica at the Conservatory "S.Cecilia" - 2009 edition, Roma (Italy)
made with: Reason4-Propellerhead, DSP-QuattroX, Audacity 1.2.5pre1 – eStudio (Carpegna-PU, Italy)


Ricercare

(2009) duration ca 08’00”000’” [in preparation]
double bass and live electronics - version of Ricercare [version for double bass only]
made with: MacCsound 1.3 (Csound 5.08) by M.Ingalls, DSP-QuattroX, Audacity 1.2.5pre1 – eStudio (Carpegna-PU, Italy)


Spirals of the dream

(2009) duration ca 05’14”000’”
acousmatic work
work composed for: OEUVRE OUVERTE 2009 AU FESTIVAL SYNTHESE 2009 - "Evolution et imagination"– Bourges, Francia (June 6, 2009)
first performance: June 2010 – Theatre J.Coeur, Bourges– Francia
made with: Reason4-Propellerhead, DSP-QuattroX, Audacity 1.2.5pre1 – eStudio (Carpegna-PU, Italy)


giovedì, ore 17:00 prova da Franz

(2009) duration ca 11’54”696’”
For soprano and live electronics
first recording (demo): October 2009 - L.E.M.S. Pesaro, Ilaria Ceccarelli (voice)
work composed on the occasion of the: XII edition of the Composition Competition “Franco Evangelisti” 2009
made with: MacCsound 1.3 (Csound 5.08) by M.Ingalls, Audacity 1.2.5pre1 – eStudio (Carpegna-PU, Italy)


Solo für Karlheinz

(1966/2009), K.Stockhausen (1928-2007) - E.Francioni (1959), duration 12’49"000”’
impromptu for double bass with live electronics on Version II of SOLO [Nr.19] für melodieninstrument mit rückkopplung di K.Stockhausen (1966) - [Universal Edition-Wien]
first performance: Castle Auditorium of Frontone PU, Sunday 18 October 2009, 18:00
double bass and electronics: Enrico Francioni - sound director: Alessandro Petrolati
work composed on the occasion of the: Electroacoustic Music Review “Emotions Out_of_range”, Frontone-PU, Italy (2009)
made with: MacCsound 1.3 (Csound 5.08), eStudio (Carpegna-PU, Italy)


Malström

(December 2009) duration 13’00”000’”
acousmatic work
13 pieces for Synthesizer [Malström] written for 60x60 Vox Novus 2009 (USA)
"Saturn talks hold" has been selected for ICMC 2010 [NYC], for International Mix 2010 by VoxNovus 60x60 and for UnTwelveMix 2010
The acousmatic micro-works were made with: Malström (Reason-Propellerhead), DSP-QuattroX, Audacity 1.2.5pre1 – eStudio (Carpegna-PU, Italy)


Eight unequal & Eight equal

(December 2009) duration 02’00”000’”
acousmatic work
Two acousmatic micro-works written for UnTwelveMix 2010 and 60x60 VoxNovus 2010 (USA)
made with: MacCsound 1.4b1 (Csound 5.10), Reason-Propellerhead and Audacity 1.2.5pre1 – eStudio (Carpegna-PU, Italy)


CLUSTER_I

(April 2011) duration 04’20”000’”
for double bass, live electronics and recorded sounds (with four channel spatialization)
The piece was written for: EMUfest 2011, Rome
made with: MacCsound 1.5 on Csound 5.13, Adobe Audition (beta for Mac), Audacity 1.2.5 at: eStudio (Carpegna-PU,Italy)
first performance: EMUfest 2011 - October 9, 2011, 17.30 – Sala Accademia Conservatorio S.Cecilia, Roma (double bass and live electronics: Enrico Francioni)


Alchemy of fear

(September 2011) duration 11’00”000’”
for violin, cello, piano and multi-channel (quadraphonic) magnetic tape
Third classified work in the composition competition "Le note ritrovate" - III Edition, 2011
THEME "LA PAURA" - the composition program is photography: "Oltre quel lago" by Vanessa Rothschild
made with: MacCsound 1.5 on Csound 5.13, Audacity 1.2.5, at eStudio (Carpegna-PU, Italy)
first performance: Le Note Ritrovate - October 29, 2011, 19.00 - Carmine Church, Avellino (Ensemble Zenit 2000, Dir. Massimo Testa)


Movements

(May 2012) duration 11’23”000’”
for violin and digital multichannel support (circular-optophony)
Work composed on the occasion of the XV edition of the Composition Competition "Franco Evangelisti" 2012
made with: Reason 4.0, DSP-QuattroX, Audacity 1.2.5, MacCsound 1.5 on Csound 5.13, at eStudio (Carpegna-PU, Italy)


CLUSTER_Lpt

(April/May 2013) duration 08’40”000’”
for Laptop Ensemble (A/V) - 7 computers and VJ (binaural)
The piece was written for Distanze 2013 and dedicated to Ur.L.O.
first performance: June 16, 2013 - “Sguardi Sonori” Festival 2013 - Auditorium of Palazzo Trinci, Foligno (PG-Italy) - Ur.L.O.
made with: MacCsound 1.5 on Csound 5.13, Audacity 1.2.5, at eStudio (Carpegna-PU, Italy)


Alla fine del tempo

(August / September 2013) duration 04'33"
Acousmatic work, eight-channel version (ambisonic-octagonal)
first performance: September 9, 2013 - Sala de Conferencias, Solís Theater - Montevideo, Uruguay
work composed for: Concierto Octofónico - Música Electroacústica con espacialización en 8 canales
creation of the ambisonic: MacCsound 1.5 on ith Csound 5.12 - eStudio (Carpegna-PU, Italy)


Pluck!

(November / December 2013) duration 01'00"
Multi-channel acousmatic opera (Surround 5.1)
first performance: Friday May 16, 2014 - Harvestworks TEAM Lab listening room 596 Broadway # 602 New York City 10012
work composed for: 60x60 Surround Sound Mix
made with: QuteCsound 0.6.1 con Csound 5.13 – eStudio (Carpegna-PU, Italy)


Sixteen for sixteen

(March 20, 2015) duration 06'17"
Multi-channel acousmatic work (16 channels)
composed for and selected at: Mascagni Remix – Suoni Inauditi (Livorno-Italy)
first performance: Tuesday 26 May 2015 - Auditorium "C.Chiti" Livorno c/o Istituto "P.Mascagni" - Italy
made with: MacCsound 1.5, Csound 5.13, Audacity 2.0.1 – eStudio (Carpegna-PU, Italy)


NO-MO

(June 14, 2015) duration 04'55"
Monaural acousmatic work (1 channel)
first performance: Saturday 3 October 2015 - ICSC 2015 St. Petersburg, Russia
made with: MacCsound 1.5, Csound 5.13, Audacity 2.0.1, DSP-QuattroX – eStudio (Carpegna-PU, Italy)


CLUSTER V

(July 25, 2015) duration 08'06"
for a percussionist, live electronics and support sounds [quadrifonic spatialisation]
Second work classified in the International Composition Competition "Amici della Musica di Cagliari" - Cagliari (Italy) - 2015 edition
first performance: Wednesday 7 October 2015 - Cagliari (Italy) - percussion: Roberto Migoni, sound direction and Live electronics: Riccardo Sarti, Enrico Francioni, Giovanni Magaglio
made with: MacCsound 1.5, Csound 5.13, Audacity 2.0.1, Finale – eStudio (Carpegna-PU, Italy)


CLUSTER Vfm

(2nd July 2017) duration 08'06"
fixed stereo version of Cluster V
work composed for: ICSC2017
made with: MacCsound 1.5, Csound 5.13, Audacity 2.0.1, Finale – eStudio (Carpegna-PU, Italy)


All in bass

(August 2017) duration 09'06"
acousmatic composition in ambisonic ottophony
first performance: ICMC-NYCEMF 2019
made with: Audacity 2.0.1, Csound - eStudio (Carpegna-PU, Italy)


Der letzte Flug

(August 1, 2018) duration 06'04"
for double bass and support sounds in ambisonic stereophony
work dedicated to Fernando Grillo
first performance: Bass 2018 - Auditorium Istituto Musicale “Boccherini” – Lucca (Italy) - Enrico Francioni (db and live electronics) - August 1, 2018
made with: QuteCsound on Csound 5.13, RunloopSound on Csound 6.07, Audacity - eStudio (Carpegna-PU, Italy)


Interceptions

(October 15, 2020) duration 03'40"
for amplified flute and bass clarinet with support sounds
work composed for the Call for scores 2020 and selected by Italian Society of Contemporary Music (SIMC) for the performance of the Bertolini / Di Felice Duo
SIMC-Results
made with: Reason 10, Audacity, Finale 26 - eStudio (Carpegna-PU, Italy)


...e sempre di mirar faceasi accesa

(August, 2021) duration 08'00"
acousmatic work in stereo
dedications: in memory of my mother Anna
inspired by Canto XXXIII (v.99) of Dante's Paradise
work composed for the Call for scores 2021 "De Institutione Musica" and selected by Italian Society of Contemporary Music (SIMC) for the performance
SIMC-Results
Winner: OPERA PRIMA, International competition
made with: STRIA (on iPhone SE), Audacity 2.4.2 (on MacBook Pro - macOS Catalina) - eStudio (Carpegna-PU, Italy)


e-Dwellers

(December, 2022) duration 11'45"
acousmatic work in stereo
made with: STRIA (on iPhone SE - II edition), Reaper64 (on MacBook Pro - macOS Catalina) - eStudio (Carpegna-PU, Italy)


Simple_test

(April, 2023) duration 09'58"
acousmatic in 3D
dedications: in memory of Eugenio Giordani
work composed for the ISAC2023
first performance: Sonosfera® - Pesaro [Italy], Thursday June 8, 2023
made with: STRIA (on iPhone SE - II edition), iDensity, Csound, Reaper64 (on MacBook Pro - macOS Catalina) - eStudio (Carpegna-PU, Italy)


Head in the clouds

(October/December, 2023) duration 05'00"
for soprano, double bass and electronics
first performance: Museo Nazionale degli Strumenti Musicali - Rome [Italy], Friday December 15, 2023
performers: Keiko Morikawa, soprano - Enrico Francioni, double bass and electronic
made with: Csound, STRIA (on MacBook Pro - macOS Ventura) - eStudio (Carpegna-PU, Italy)


DA_byshev

(February/March, 2024) duration 01'00"
acousmatic work in stereo
first performance: April 4/6/7, 2024 "Écoutes Périphériques" electroacoustic music festival - Grrrnd Zeroooo ! 60 Avenue de Bohlen 69120 Vaulx-en-velin [France]
made with: Csound, on CsoundQt, MacBook Pro - macOS Ventura - eStudio (Carpegna-PU, Italy)


…fragments of…

(April/May, 2024) duration 05'00" (about)
for bass clarinet (Bb), double bass, piano and support sounds (ad libitum)
first performance: Foro Internacional de Música Nueva, MUAC Museum of Contemporary Art, National University of Mexico UNAM, Mexico City, October 24, 2024 - Low Frequency Trio (LF3): J.A.Rosales, bass clarinet - J.J.García, double bass - J.L.Hurtado, piano
made with: Finale, Stria, Csound, MacBook Pro - macOS Ventura - eStudio (Carpegna-PU, Italy)





AUDIO/VISUAL MUSIC


THAW

(March 2010) duration 12’27”000’” – A/V
Multi-channel digital Soundscapes work (four channels)
first performance: OUT OF RANGE 2013 - June 1, 2013, 18.00 - Auditorium Castello of Frontone (PU, Italy), A/V direction: E.Francioni
made with: Union, MacCsound 1.4b1 on Csound 5.10, Audacity 1.25pre1, DSP-QuattroX – eStudio (Carpegna-PU, Italy)


MaN_Variation

(March 2011) duration 05’22”000’”
Electronic acousmatic work – versions: A and A/V *
*the piece can also be performed in the version for solo trumpet, percussion and live electronics.                         
The piece was written for: 150 VARIAZIONI SULL'INNO D'ITALIA - SELECTION FOR COMPOSITORS AND EXPERIMENTAL MUSIC ARTISTS “FESTIVAL 5 GIORNATE” - MILANO: CINQUE GIORNATE FOR THE NEW MUSIC SEVENTH EDITION - MARCH 18/22 2011
made with: Reason 4.01, Density v.2, Adobe Audition (beta for Mac), Audacity 1.2.5, iMovie, iTunes – at eStudio (Carpegna-PU, Italy)


CLUSTER_AV

(2012-2017) durations: A/V 04’20”000’” - with titles: 05'27"000'"
A/V
work composed for: Out of range 2017 (Frontone-Italy)
made with: iMovie, Processing, Csound, Audition, Audacity - eStudio (Carpegna-PU, Italy)


A cry on pEACE

(May 2022) duration: A/V 04’03”000’”
Audio-Video composition [A/V]
work composed for: "Scrivere per la pace" of SIMC
made with: iMovie, Processing, Audacity, Reason - eStudio (Carpegna-PU, Italy)


A travel diary

(October 2024) duration: A/V 04’50”000’”
fixed media [A/V] for double bass and support sounds
work composed for: "Scrivere per il Mediterraneo" of SIMC
made with: Csound, iMovie, Audacity, Reason - eStudio (Carpegna-PU, Italy)


Contact me

francioni61021@libero.it


© eStudio, 2024