enrico francioni

composer and double bass player

Writing

Tecnica (1980)

as an experience of the double bass
[manuscript]


Lo studio e l’interpretazione musicale – I

series The school of double bass (1988) - for double bass
[manuscript]


Lo studio e l’interpretazione musicale – II

series The school of double bass (1989) - for double bass
[manuscript]


DIZIONARIO I ANNO (2004)

rudiments of Electronic Music for the first year of the Ordinary Course
[file txt]


DIZIONARIO II ANNO (2005)

rudiments of Electronic Music for the second year of the Ordinary Course
[file txt]


METODOLOGIE DI ANALISI E RISINTESI IN CSOUND: UN CONFRONTO (2005)

final report of the second year of Electronic Music
[file ppt]


Per un’esecuzione di “Solo”, für Melodieninstrument mit Rückkopplung (1966) di K.Stockhausen (2006)

final report of the III year of Electronic Music - software written for MacCsound 1.2a5 & 1.3 (by M.Ingalls) on Csound 5.05
[file pdf]


…E al centro della scena …un contrabbasso, per una nuova idea di musica (2006)

a panorama of contemporary double bass music from the 1950s to today
[file pdf]


La spazializzazione del suono, dai concetti ad un’esperienza concreta (luglio 2007)

Final paper of the IV year of Electronic Music
[file pdf]


OMAGGIO A STOCKHAUSEN, technical set-up digitale per una performance di SOLO [Nr.19] für melodieninstrument mit rückkopplung (ottobre 2008)

article published by A.I.M.I. and discussed on the occasion of the XVII C.I.M. ["B.Marcello" Music Conservatory - Venice, 16 October 2008], in collaboration with the IUAV and the Venice Music Biennale
http://cim.lim.di.unimi.it/2008_CIM_XVII_Atti.pdf 1 (XVII), 115-123


MANUALE per SOLO_MV_10.1 [SOLO_MULTIVERSION] (2010)

user manual Getting started by SOLO_MV for the performance of the six Versions of Solo [N.19] by K.Stockhausen
[file pdf]


SOLO_MV_10.1 [SOLO_MULTIVERSION] (2010)

article for Csound Journal (May 2010) on the SOLO_MV algorithm aimed at the performance of the six Versions of Solo [No. 19] by K.Stockhausen
http://csoundjournal.com/issue13/solo_mv_10_1.html


CSOUND FOR CAGE’S RYOANJI

A possible solution for the Sound System, article written for Csound Journal (August 2013)
http://csoundjournal.com/issue18/francioni.html


Building Csound based Systems for Real-time Chamber Music Performance - Part I

by Enrico Francioni - in Csound Journal Issue 23
http://csoundjournal.com/issue23/RealtimeSystems1.html


Building Csound based Systems for Real-time Chamber Music Performance - Part II

by Enrico Francioni - in Csound Journal Issue 23
http://csoundjournal.com/issue23/RealtimeSystems2.html


SOLO [Nr. 19] di Karlheinz Stockhausen: un pensiero ad alta voce

in Abstract Book of the XV International Conference of Music Theory and Analysis - October 4/7, 2018 at the Istituto Superiore di Studi Musicali “G. Lettimi” Via Cairoli, 44 RIMINI (Italy) - by GATM
[file pdf]


Dicotomie in John Cage: il caso Ryoanji

Abstract book. 16th International Conference on Music Analysis and Theory - by the GATM (Rimini, October 10/12, 2019). Editions in Italian and English
Abstract book


Modelli di indeterminazione e di interpretazione reale nel repertorio colto per contrabbasso del secondo Novecento

GATM - GIORNATE DI STUDIO E DI RICERCA - International Conference on Music Analysis and Theory - ISSM “G. Lettimi” Via Cairoli, 44 Rimini [Italy], November 19, 2022


Fernando Grillo, il Buddha del contrabbasso

physical book (2023)
by Enrico Francioni
Distribution:
Haze Auditorium Edition


Contact me

francioni61021@libero.it


© eStudio, 2024